| 詠春 - Wing Chun |
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| Seichumen | | a plane that connects your opponent's seichusen with your seichusen.
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| Sayo | | action
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| Satori | | enlightenment
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| Sanni ittai | | three principles of unification (1. Rightly follow teachings, 2. Have an undisturbed and tranquil mind and 3. Have heijoushin which enables one to freely apply technique)
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| Ryaku | | strategy
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| Obyoski Kobyoshi | | slow beat, fast beat
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| Noru | | riding, flowing, absorbing an attack while at the same time countering
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| Nijiriashi | | (gliding) glide both feet to move forward or backward
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| Ni (Wa) sentenashi | | no first strike
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| Muto | | no sword
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| Nagasu | | side shifting
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| Musubi | | movement that serves to rejoin or unify opposites
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| Munen | | no thought state of mind
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| Mudana no waza | | do not use unnecessary techniques
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| Mumyo | | means "not clear" and refers to delusion, doubt or vacillation
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| Mudana no iroki | | do not use unnecessary movement
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| Mu | | nothingness/void
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| Mudana no chikara | | do not use unnecessary strength or power
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| Mizume | | defeat of sight
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| Moshin | | mind of delusion
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| Misogi | | techniques of purification
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| Maai | | distancing
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| Machi no sen | | waiting sen
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| Mayoi | | mind obscured by hesitation and doubt
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| Ma | | moments of time or intervals of time / not spatial distance between opponents but encompasses everything that exist
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| Kyojitsu | | term used to describe two opposite physical, mental and spiritual states
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| Kyo | | describes conditions of weakness, emptiness, desire, fear, greediness, instability, etc.
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| Ku (Chinese) and Kara (Japanese) | | empty
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| Koshi no chikara | | hip power
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| Kokyu no chikara | | breath power; internal power as supposed to physical strength
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| Kobyoshi Obyoshi | | fast beat, slow beat
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| Ki | | judgment and will/state of mind prepared for anything
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| Keiko | | refers to practice or training/reflection and refinement
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| Kei | | attention is focused onto a single point
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| Kata | | references "alive" technique which has purpose and can be applied
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| Kaiten | | (turning) turn in different directions and to various angles
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| Kagami | | (ducking) bending the body
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| Juchi | | state in which the mind has stopped
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| Jitsu | | describes conditions of strength, fullness, protection, support stability, etc.
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| Jintu Shinpen | | describes a person capable of totally free action
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| Itto-ma (chuma) | | middle or one step engagement distance
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| Irimi | | entering
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| Inasu | | block and counter in the same motion
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| Igata | | references "dead" technique with no purpose and no application
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| Hoshin no kokoro | | release your mind/free mind/released mind
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| Honshin | | original mind
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| Henshin | | one sided or biased mind
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| Hishigu | | smash/attack with a strong offensive movement/strike your opponent with all your strength
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| Heiho | | tactics/strategy
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| Heijoushin | | "presence of mind" - everything disappears from a person's mind
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| Gakui | | mastered secret
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| Go no sen | | block the attack and then counter
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| Fudochi | | state exemplified by a free mind
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| Enbusen | | performance line of kata
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| Daiyu | | great action/free action
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| Choyaku | | (jumping) leaving the ground with both feet
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| Buryaku | | military strategy
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| Chika-ma | | short engagement distance
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| Ayumiashi | | (walking) taking one step forward or one step backward
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| Seichusen | | a line that the technique follows as it goes toward the opponent.
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| Sen | | will or act of attacking
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| Sen no sen | | block and counter at the same time, attack the attack
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| Sen Sen no Sen | | counter the opponent's intent to attack
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| Shinmyouken | | the way to win by freely allowing an adversary to exercise techniques and then rendering them ineffective
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| Shugyo | | the day-to-day struggle to refine and purify the quality of life
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| Shuko | | attack with the whole body
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| Surikomiashi | | (cross-stepping) take two steps forward or two steps backward
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| Tai no sen | | taisabaki and counter
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| Taiju no Ido | | (weight shifting) shift weight from one leg to another
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| Taisabaki | | body shifting/movement
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| To-ma | | long engagement distance
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| Tsugiashi | | move your back foot to the front foot first and then your front foot forward move your front foot to the rear foot first and then your back foot backward
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| Yasume | | being relaxed at all times
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| Yoriashi | | move your front foot to the front first and then your back foot forward move your back foot to the rear first and then your front foot back
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| Yu | | action
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| Zanshin | | constant awareness of your surroundings
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